Many Of Those Who Are Driven To

It Is The Poet And Philosopher Who Provide The Community Of Objectives In Which The Artist Participates. Their Chief Preoccupation, Like The Artist, Is The Expression In Concrete Form Of Their Notions Of Reality. Like Him, They Deal With The Verities Of Time And Space, Life And Death, And The Heights Of Exaltation As Well As The Depths Of Despair. The Preoccupation With These Eternal Problems Creates A Common Ground Which Transcends The Disparity In The Means Used To Achieve Them.

It Is A Widely Accepted Notion Among Painters That It Does Not Matter What One Paints As Long As It Is Well Painted. This Is The Essence Of Academicism.

It Is Really A Matter Of Ending This Silence And Solitude, Of Breathing And Stretching One's Arms Again.

You Think My Paintings Are Calm, Like Windows In Some Cathedral? You Should Look Again. I'm The Most Violent Of All The American Painters. Behind Those Colours There Hides The Final Cataclysm.

The Fact That People Break Down And Cry When Confronted With My Pictures Shows That I Can Communicate Those Basic Human Emotions.. The People Who Weep Before My Pictures Are Having The Same Religious Experience I Had When Painting Them. And If You Say You Are Moved Only By Their Color Relationships Then You Miss The Point.