Many Men Talk Like Philosophers And Live

The Painting Showed A Hairless, Oppressed Creature With A Head Like An Inverted Pear, Its Hands Clapped In Horror To Its Ears, Its Mouth Open In A Vast, Soundless Scream. Twisted Ripples Of The Creature's Torment, Echoes Of Its Cry, Flooded Out Into The Air Surrounding It; The Man Or Woman, Whichever It Was, Had Become Contained By Its Own Howl. It Had Covered Its Ears Against Its Own Sound. The Creature Stood On A Bridge And No One Else Was Present; The Creature Screamed In Isolation. Cut Off By - Or Despite - Its Outcry.

Death Hides Within Every Religion. And At Any Time It Can Flash Forth-not With Healing In Its Wings But With Poison, With That Which Wounds.

My Major Preoccupation Is The Question, 'what Is Reality ?' Many Of My Stories And Novels Deal With Psychotic States Or Drug-induced States By Which I Can Present The Concept Of A Multiverse Rather Than A Universe. Music And Sociology Are Themes In My Novels, Also Radical Political Trends; In Particular I've Written About Fascism And My Fear Of It.

The Real Origin Of Science Fiction Lay In The Seventeeth-century Novels Of Exploration In Fabulous Lands. Therefore Jules Verne's Story Of Travel To The Moon Is Not Science Fiction Because They Go By Rocket But Because Of Where They Go. It Would Be As Much Science Fiction If They Went By Rubber Band.

The Empire Is The Institution, The Codification, Of Derangement; It Is Insane And Imposes Its Insanity On Us By Violence, Since Its Nature Is A Violent One.