Love Words, Agonize Over Sentences. And Pay

Science Fiction Films Are Not About Science. They Are About Disaster, Which Is One Of The Oldest Subjects Of Art.

The Photographer Is An Armed Version Of The Solitary Walker Reconnoitering, Stalking, Cruising The Urban Inferno, The Voyeuristic Stroller Who Discovers The City As A Landscape Of Voluptuous Extremes. Adept Of The Joys Of Watching, Connoisseur Of Empathy, The Flâneur Finds The World 'picturesque.

Perversity Is The Muse Of Modern Literature.

In Most Modern Instances, Interpretation Amounts To The Philistine Refusal To Leave The Work Of Art Alone. Real Art Has The Capacity To Make Us Nervous. By Reducing The Work Of Art To Its Content And Then Interpreting That, One Tames The Work Of Art. Interpretation Makes Art Manageable, Conformable.

...to Photograph Is To Frame, And To Frame Is To Exclude.