Sight Is A Promiscuous Sense. The Avid

We Live Under Continual Threat Of Two Equally Fearful, But Seemingly Opposed Destinies: Unremitting Banality And Inconceivable Terror. It Is Fantasy, Served Out In Large Rations By The Popular Arts, Which Allows Most People To Cope With These Twin Specters.

The Hard Truth Is That What May Be Acceptable In Elite Culture May Not Be Acceptable In Mass Culture, That Tastes Which Pose Only Innocent Ethical Issues As The Property Of A Minority Become Corrupting When They Become More Established. Taste Is Context, And The Context Has Changed.

The Truth Is Balance. However The Opposite Of Truth, Which Is Unbalance, May Not Be A Lie.

In A Lot Of Writing Or Intellectual Discourse We're Starting To Use That Model: "oh, This Is Where It Comes From!" I Would Like To Concentrate On Work Which Is More Resistant To That Procedure, As I Think Fiction Is.

To Photograph People Is To Violate Them, By Seeing Them As They Never See Themselves, By Having Knowledge Of Them That They Can Never Have.