Like Everyone In His Right Mind, I

The Mind Itself Is An Art Object. It Is A Mondrian Canvas Onto Whose Homemade Grids It Fits Its Own Preselected Products. Our Knowledge Is Contextual And Only Contextual. Ordering And Invention Coincide: We Call Their Collaboration Knowledge.

A Work In Progress Quickly Becomes Feral. It Reverts To A Wild State Overnight. It Is Barely Domesticated, A Mustang On Which You One Day Fastened A Halter, But Which Now You Cannot Catch. It Is A Lion You Cage In Your Study. As The Work Grows, It Gets Harder To Control; It Is A Lion Growing In Strength. You Must Visit It Every Day And Reassert Your Mastery Over It. If You Skip A Day, You Are, Quite Rightly, Afraid To Open The Door To Its Room. You Enter Its Room With Bravura, Holding A Chair At The Thing And Shouting, "simba!

A Schedule Is A Mock-up Of Reason And Order - Willed, Faked, And So Brought Into Being.

If I Actually Believed That The Progress Of Human Understanding Depended On Our Crop Of Contemporary Novelists, I Would Shoot Myself.

The Painter... Does Not Fit The Paints To The World. He Most Certainly Does Not Fit The World To Himself. He Fits Himself To The Paint. The Self Is The Servant Who Bears The Paintbox And Its Inherited Contents.