Knowing When To Say Something And When

To Write A Story About New York That Only Deals With People In Your Age And Socioeconomic Bracket, That Feels Dishonest To Me. So Much Of New York Comes From Everyone Bumping Into Each Other.

And As A Filmmaker, I'm Trying To Unhook Myself From This Idea That Unless You Have A Brilliant, Long, Enormously Lucrative Theatrical Run, That Your Movie Somehow Failed. And I Don't Believe That.

We Don't Have A Lot Of Space In Our Imaginations To Allow People To Expand What They Do.

There Are Just Things You Can Explore In A Movie That You Can't In 22 Minutes With A Laugh Track.

You Can Say Something That Can Really Help And Actor And You Can Say Something That Can Really Get In The Way Of An Actor's Performance, Kind Of Cut Them Off From Their Instincts And Really Get Into Their Heads. And Every Actor's Different. Every Actor Requires Something Different. Being An Actor, For Me, Was The Greatest Training To Be A Writer And Director.