Knowing Was A Temptation. What You Don't

It's A Critical Fallacy Of Our Times ... That A Writer Should 'grow,' 'change,' Or 'develop.' This Fallacy Causes Us To Expect From Children Or Radishes: 'grow,' Or There's Something Wrong With You. But Writers Are Not Radishes. If You Look At What Most Writers Actually Do, It Resembles A Theme With Variations More Than It Does The Popular Notion Of Growth.

Our Problem Right Now Is That We're So Specialized That If The Lights Go Out, There Are A Huge Number Of People Who Are Not Going To Know What To Do. But Within Every Dystopia There's A Little Utopia.

A Prison Does Not Only Lock Its Inmates Inside, It Keeps All Others Out. Her Strongest Prison Is Of Her Own Construction.

My Family Was Big On Sharing. I Guess It Was Just The Way I Was Brought Up. Or Maybe, I Read Those Fairy Tales In Which One Good Turn Elicits Another. But In Writing, Yes, Some Older Writers Were Kind To Me When I Was Young; Although Some Others Were Not.

When We're Good, We're Very, Very Good, And When We're Bad, We're Horrid. This Is Not News, Because We're So Much More Inventive And We Have Two Hands, The Left And The Right. That Is How We Think. It's All Over Our Literature, And It's All Over The Way We Arrange Archetypes, The Good Version, The Bad Version, The God, The Devil, The Abel, The Cain, You Name It. We Arrange Things In Pairs Like That Because We Know About Ourselves.