It's Very Exciting To Work With People

One Of The Reasons That I Do A Lot Of Different Kinds Of Pictures Is Because I Learn A Lot When I'm Doing Them.

I Worked With Great, Brilliant Directors. I've Been So Lucky. It's Terrible To Compare Anyone, Because You Can't. But I Can Just Tell You That This Experience Was Just A Truly Magnificent Experience For Everyone Involved.

I've Had Guys, When I've Been Single, Come Date Me And I've Found Out They Were Expecting Some Kind Of Whirlwind, Some Dramatic Crazy Person-- And That's Just Not Me. I'd Much Rather Be In A Movie That People Have Really Strong Feelings About Than One That Makes A Hundred Million Dollars But You Can't Remember Because It's Just Like All The Others.

Quentin's [tarantino] Thing Is "i Don't Want Anybody To Get Up Until They Have To. So, Because He Really Wants Things To Come Organically. And He May Have Specific Things Like "no, This ... I Want You To Be Here So That When He Punches You, It Falls. I Want That Action To Happen Here." But You Feel Like It Does, All The Blocking Does Come From An Organic Response To The Material.

Even When You Think You Can Detach Yourself From The Characters, You Don't. Because You're Spending So Much Time Trying To Realize This Person And Make Them Real That They Do Infect You, In A Way. And You Do Take Them Home And Live With Them, Even If You Think You're Turning The Character Off. But In Order To Pull Off A Role Convincingly, You Wind Up Thinking About That Person All The Time, And It Does Sort Of Creep Into You. And Then There Are Things That You'll Respond To, Or React To In A Very Different Way Than You Would Normally.