It's Dismaying To See The Unilateralism That

To Me, Achieving Tone, Achieving Consistency, Is Exactly The Job Of A Director. It Is To Be The Fusing, The Nexus Of A Whole Bunch Of People Contributing To The Complex Life Of A Movie. There Are Actors, There's A Cinematographer, There're Costume People, Set People, There Are All These Things, And You Somehow Have To Be The Person In The Middle Of It Who Is Making It All Synchronize Into The Same Magic Bubble.

The "environmental Movement" Is Becoming An Economic Movement, Is Joining The Social Justice Movement, Is Becoming A Sustainability Movement. It's Leaving Behind The "people's Needs Versus Nature's Needs" Conflict In Favor Of Making The Case For Environmental Health As The Essential Underpinning Of Prosperous And Stable Human Civilization.

Sometimes Their Oppression Of Emotion And The Weird Way It Comes Out Is More Interesting Than Painting It In Bold Primary Colors.

But At The Same Time, The Film Industry Just Got Torched. The Risk Tolerance For The Types Of Movies We're Talking About Is Lower, And The Reason For That Is That The Captains Of The Industry Were Asleep At The Switch When Their Core Business Was Being Disrupted. And They're Never Getting It Back. In A Way, It Makes It All The More Exciting When The Good Ones Get Through.

I'm Pretty Busy In My Life And I'm Very Aware Of What It Takes To Direct A Movie. It Takes A Lot Out Of You; It Takes A Lot Out Of The Rest Of Your Life, From Other People In Your Life. I Don't Lie Around Hungering For That Consumption Very Often.