I Don't Have Anything To Prove To

If There's A Criteria That Really Gets Me Interested In A Work Besides Any Type Of Personal Interaction With The Theme, It's If I Feel Like This Is The Right Piece Of Work For That Director At That Moment In Their Career.

I Had A Huge Advantage With Edward Norton Because He's Directed A Movie Before, So One Thing He Appreciates Is How Hard My Job Is, He's Very Sensitive To That. We Actually Ended Up Finishing "leaves Of Grass" A Day Early.

There Are Tens Of Thousands Of Charities And Hundreds Of Thousands, Getting Towards Millions, Of People Now Using It. And When I Flip Through It, I'm Just Blown Away By People.

I'm Fascinated By The Ways In Which People Express Themselves, Because Their Responses Are Often Counter To What They're Actually Feeling. Like When They're Frightened, They Tend To Freeze. When They're Angry, It Doesn't Always Come Out As Volume. There Are Wonderful Contradictions In The Way That People Express Their Emotions.

The Best Films Of Any Kind, Narrative Or Documentary, Provoke Questions.