It Is The Tragedy Of Other People

We Love Only What We Do Not Wholly Possess.

We Shall See Later On That The Diversity Of The Forms Of Death That Circulate Invisibly Is The Cause Of The Peculiar Unexpectedness Of Obituary Notices In The Newspapers.

Certain Favourite Roles Are Played By Us So Often Before The Public And Rehearsed So Carefully When We Are Alone That We Find It Easier To Refer To Their Fictitious Testimony Than To That Of A Reality Which We Have Almost Entirely Forgotten.

For Although We Know That The Years Pass, That Youth Gives Way To Old Age, That Fortunes And Thrones Crumble (even The Most Solid Among Them) And That Fame Is Transitory, The Manner In Which—by Means Of A Sort Of Snapshot—we Take Cognisance Of This Moving Universe Whirled Along By Time, Has The Contrary Effect Of Immobilising It.

Pleasures Are Like Photographs: In The Presence Of The Person We Love, We Take Only Negatives, Which We Develop Later, At Home, When We Have At Our Disposal Once More Our Inner Dark Room, The Door Of Which It Is Strictly Forbidden To Open While Others Are Present.