It Is A Career Of Make-believe, Of

It's Strange, 'cause A Play, You Start At The Beginning And You Go All The Way Through To The End. So It's Naturally Very Well Rehearsed And You Get A Rhythm And A Flow. In Film, You Can Shoot The Ending Before The Beginning. It's Very Odd. And It's Like A Craft You Have To Learn.

I Think I Was, Like, 23 Or Something [on The Breakfast Club]. I Was The Oldest Of The Five. Emilio [estevez] And Ally [sheedy] Were A Year Younger. The Only Real Difference Was That Molly [ Ringwald] And Michael [hall] Still Had To Go To School. They Could Shoot, Like, A Half Day. So A Lot Of My Close Coverage Was Done With Molly's Stand-in, So Molly Could Do Her Schoolwork.

Phil Hicks Was The Guy That Was In The Rotc, That Was Going To Go Into The Vietnam War And Thought That Was The Responsibility Of The Citizen.

I Worked With The Late Leonard Frey. I Did A Play, And I Would Have These Ideas And He Would Say, "i Don't Know. Try It." And I Would Try It And It Would Be Awful, And He Would Go, "what Do You Think?" And I Would Go, "it Was Awful." And He Goes, "okay, We'll Try Something Else." And That's Great Because It Really Makes You Feel Less Working-for And More Working-with. There's Nothing Better Than To Feel A Part Of The Team.

We Tried The First Evening To Go Down Division Street And Rush Street, But We Couldn't Get In Anywhere Because They Didn't Like [ Emilio Estevez] Sneakers And They Didn't Like My Boots. This Was 1983 Or '84, So It Was Ridiculous. We Ended Up At A Jazz Club, Where You Go Downstairs And There's A Very Cool Place.