In The Movies, The Writer Is Just

If You Want To Draw People Into The Story, You Really Have To Write As If You're Writing A Novel And Make These Actually-existing People, Including The Actually-existing Person With My Name, Into A Believable Person On The Page. And That Requires Distance. That Requires Not Being Right Up Against The Events You're Talking About.

Sometimes, People Trying To Commit Suicide Manage It In A Manner That Leaves Them Breathless With Astonishment.

If You're On A Freeway And Want To Know If You're Being Followed, What You Do Is Enormously Vary Your Speed. You Accelerate To 100 And Slow Down To 30 And Then Accelerate Again. In A City, You Make A Lot Of Turns Against The Stream Of Traffic. You Go Around A Roundabout Twice.

At The Height Of The British Empire Very Few English Novels Were Written That Dealt With British Power. It's Extraordinary That At The Moment In Which England Was The Global Superpower The Subject Of British Power Appeared Not To Interest Most Writers.

When You Start Writing About The Stuff That Is The Central Experience Of Your Own Life, You Can Talk About Whatever You Want, In Whatever Way You Want.