In The First Few Pages, Kundera Discusses Several Abstract Historical Figures: Robespierre, Nietzsche, Hitler. For Eunice's Sake, I Wanted Him To Get To The Plot, To Introduce Actual "living" Characters - I Recalled This Was A Love Story - And To Leave The World Of Ideas Behind. Here We Were, Two People Lying In Bed, Eunice's Worried Head Propped On My Collarbone, And I Wanted Us To Feel Something In Common. I Wanted This Complex Language, This Surge Of Intellect, To Be Processed Into Love. Isn't That How They Used To Do It A Century Ago, People Reading Poetry To One Another?

-Gary Shteyngart

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In The First Few Pages, Kundera Discusses

Gary Shteyngart

In The First Few Pages, Kundera Discusses Several Abstract Historical Figures: Robespierre, Nietzsche, Hitler. For Eunice's Sake, I Wanted Him To Get To The Plot, To Introduce Actual "living" Characters - I Recalled This Was A Love Story - And To Leave The World Of Ideas Behind. Here We Were, Two People Lying In Bed, Eunice's Worried Head Propped On My Collarbone, And I Wanted Us To Feel Something In Common. I Wanted This Complex Language, This Surge Of Intellect, To Be Processed Into Love. Isn't That How They Used To Do It A Century Ago, People Reading Poetry To One Another?

Topic

Love

Lying

Reading

Usually, With A Novel, You Start With No Idea What To Do Because Your Job Is To Create Convincing Characters And Then They Just Run Around Getting Crazy. The Problem With Writing A Memoir, Obviously, Is You Can't Do That Because You Sort Of Know What's Going To Happen. Because You're The Character.

Running

Crazy

Writing