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Theatre For A New Audience Is One Of America's Most Admirable And Exciting Theatre Companites...some Of The Best Acted And Directed Work To Be Found On American Stages, Engaging With The Canon Of World Dramatic Literature In A Vigorous Way.

What Makes The Voice Pathetic Is That It Doesn't Know What Kind Of People It's Reaching. Us. No One Hears It, Except Us. This Age Wanted Heroes. It Got Us Instead: Carefully Constructed, But Immobile. Subtle But, Unfit To Take Up The Burden Of The Times. It Happens. A Whole Generation Of Washouts. History Says Stand Up, And We Totter And Collapse, Weeping, Moved, But Not Sufficient.

When I Used To Teach Writing, What I Would Tell My Playwriting Students Is That While You're Writing Your Plays, You're Also Writing The Playwright. You're Developing Yourself As A Persona, As A Public Persona. It's Going To Be Partly Exposed Through The Writing Itself And Partly Created By All The Paraphernalia That Attaches Itself To Writing. But You Aren't Simply An Invisible Being Or Your Own Private Being At Work. You're Kind Of A Public Figure, As Well.

And I Don't Consider Broadway The Acropolis Of Theatrical Art. I Mean Broadway Is Commercial - That's What It Is. It's Expensive Seats And A Lot Of Them That Have To Be Filled Every Night. Off-broadway And Off-off Broadway As Far As I'm Concerned Is In New York The Pride Of New York Theater.

The General Consensus Among Historians, Among The Ones Who Can Handle The Fact That 'lincoln' Is, In Fact, Historical Fiction, Is That We Demonstrate Enormous Fidelity To History And That, Beyond That, We've Actually Contributed A Line Of Thinking About Lincoln's Presidency That's Somewhat Original.