In Some Of The Greatest Recordings Ever

When I Was Growing Up, I Fetishised New York City. It Was The Land Of Lou Reed And The Velvet Underground, It Was Where Leonard Cohen Wrote 'chelsea Hotel', It Was Cbgbs And All The Punk Rock Clubs. Artists And Musicians Lived There, And It Was Cheap And Dangerous.

There's An Aesthetic Theme, Which Is Cities At Two O'clock In The Morning. Not Cities Packed With People Going Out To Clubs And Dancing But Desolate, Empty Streets. It's Off-putting But There's A Strange Comfort To It As Well, That Desolate Urban Environment.

I Have Nothing Against Bombastic Music, But When It Comes To Making Albums, I'd Prefer To Make Music That Has A Sort Of Vulnerable Subtlety To It.

One Of The Reasons Why Fundamentalists Are So Aggressive In Trying To Promote Fundamentalism Is Because Deep Down They Know It's Arbitrary. If You're Comfortable With Your Belief You Don't Need To Convince Other People To Agree With You.

I Was In Bar About 15 Years Ago, A Relationship Had Ended Badly, I Was Very Drunk And I Thought I Would Convince Myself To Try And Be Gay. Like, At One Point I Didn't Like Coffee, Then I Learned To Like It.