[in My Writing] I Know That I

Then Why Do You Want To Know?" "because Learning Does Not Consist Only Of Knowing What We Must Or We Can Do, But Also Of Knowing What We Could Do And Perhaps Should Not Do.

Stopgaps Do Belong To The Internal Economy Of The Form, Since The Whole Requires Them, Even If Only In A Subordinate Position ... The Stopgap Luigi Paryson's 'zeppa' Accepts Its Own Banality, Because Without The Speed That The Banal Allows Up, It Would Slow Up A Passage That Is Crucial For The Outcome Of The Work And Its Interpretation.

New Orleans Is Not In The Grip Of A Neurosis Of A Denied Past; It Passes Out Memories Generously Like A Great Lord; It Doesn't Have To Pursue "the Real Thing."

Only An Unhinged Movie Survives As A Disconnected Series Of Images, Of Peaks, Of Visual Icebergs. It Should Display Not One Central Idea But Many. It Should Not Reveal A Coherent Philosophy Of Composition. It Must Live On, And Because Of, Its Glorious Ricketiness.

Books Are Menaced By Books. Any Excess Of Information Produces Silence.