In Blow-up I Used My Head Instinctively!

The Script Is Simply A Series Of Notes For The Film.

I Never Think In Terms Of Alienation; It's The Others Who Do. Alienation Means One Thing To Hegel, Another To Marx And Yet Another To Freud; So It Is Not Possible To Give A Single Definition, One That Will Exhaust The Subject. It Is A Question Bordering On Philosophy, And I'm Not A Philosopher Nor A Sociologist. My Business Is To Tell Stories, To Narrate With Images - Nothing Else. If I Do Make Films About Alienation - To Use That Word That Is So Ambiguous - They Are About Characters, Not About Me.

I Meant Exactly What I Said: That We Are Saddled With A Culture That Hasn't Advanced As Far As Science.

The Photographer In Blow-up, Who Is Not A Philosopher, Wants To See Things Closer Up. But It So Happens That, By Enlarging Too Far, The Object Itself Decomposes And Disappears. Hence There's A Moment In Which We Grasp Reality, But Then The Moment Passes. This Was In Part The Meaning Of Blow-up.

If An Actor Tries To Understand Too Much, He Will Act In An Intellectual And Unnatural Manner.