I'm Used To Rereading E-mails, Even, Before

We All Have An Ongoing Narrative Inside Our Heads, The Narrative That Is Spoken Aloud If A Friend Asks A Question. That Narrative Feels Deeply Natural To Me. We Also Hang On To Scraps Of Dialogue. Our Memories Don’t Usually Serve Us Up Whole Scenes Complete With Dialogue. So I Suppose I’m Saying That I Like To Work From What A Character Is Likely To Remember, From A More Interior Place.

Often, The Idea That There Can Be A Wide Range Of Translations Of One Text Doesn't Occur To People - Or That A Translation Could Be Bad, Very Bad, And Unfaithful To The Original.

In Some Sense The Text And The Translator Are Locked In Struggle - 'i Attacked That Sentence, It Resisted Me, I Attacked Another, It Eluded Me' - A Struggle In Which, Curiously, When The Translator Wins, The Text Wins Too.

I Think A Lot Of What Goes Into Writing Can Be Taught - Not Mixing Metaphors, Etc.

I'm Used To Rereading E-mails, Even, Before Sending Them - A Bit Compulsive. So This Is High Speed Roller Coaster For Me!