I'm Not Religious, But I Like God

Plays Can Outlast Even The Opinions Of The Chief Film Critic Of The New York Times And That Reviews, Although They Feel Devastating In The Immediate Moment, Are Not Remotely As Significant As The Significance You Endow Them With On The Day That They Appear.

I Feel There's A Power In Theatre, But It's An Indirect Power. It's Like The Relationship Of The Sleeper To The Unconscious. You Discover Things You Can't Afford To Countenance In Waking Life. You Can Forget Them, Remember Them A Day Later Or Not Have Any Idea What They Are About.

If You're Gay And You Can't Hold Hands, Or You're Black And You Can't Catch A Taxi, Or You're A Woman And You Can't Go Into The Park, You Are Aware There's A Menace. That's Costly On A Psychic Level. The World Should Be Striving To Make All Its Members Secure.

A Play Should Have Barely Been Rescued From The Mess It Might Just As Easily Have Been.

We Can't Just Stop. We're Not Rocks-progress, Migration, Motion Is... Modernity. It's Animate, It's What Living Things Do. We Desire. Even If All We Desire Is Stillness, It's Still Desire For.