I'm Not A Citizen Of America, I

I Think A State Should Not Be In The Capacity Of Killing Anyone With The Exception Of Warfare.

I've Never Left My Culture. I've Left My Country, But I've Not Left My Culture. In The Same Way, You Shouldn't Be Worried Why George Lucas Is Going To The Outer Galaxy To Make A Movie. He's Still Making A Film Within His Culture; He's Making An American Film. I Go To Thailand Or The Peruvian Jungle, The Amazon, And I Still Make Bavarian Films.

That Shot In "into The Inferno" Somehow Popped Up While My Editor And I Were Viewing The Footage. I Immediately Said, "that Looks Like The Opening Shot Because The Camera Approaches The Action Very Slowly And We Have Enough Time To Insert Some Of The Main Credits Into It." So It Was A Practical Choice. At The Same Time, You See These Tiny Figures Standing At The Rim Of Something, And All Of A Sudden, The Camera Rises Further And You Find Yourself Looking Straight Down Into An Inferno.

Robert Rodriguez, Makes A Feature Film In 35mm Celluloid One And A Half Hours Long, And Nobody Believed Him, I Think He Wrote A Book About It And Gave All The Details Of How He Spent The Money, Even Making A 35mm Celluloid Feature Film Was Possible, At Least For Rodriguez.

Coincidences Always Happen If You Keep Your Mind Open, While Storyboards Remain The Instruments Of Cowards Who Do Not Trust In Their Own Imagination And Who Are Slaves Of A Matrix If You Get Used To Planning Your Shots Based Solely On Aesthetics, You Are Never That Far From Kitsch.