I'm Especially Interested In The Music Of

Most Of The Power Of Painting Comes Through The Manipulation Of Space... But I Don't Understand That.

Put A Lot Of Paint & A Wooden Ball Or Other Object On A Board. Push To The Other End Of The Board. Use This In A Painting. - Ruler On Board.

As One Gets Older One Sees Many More Paths That Could Be Taken. Artists Sense Within Their Own Work That Kind Of Swelling Of Possibilities, Which May Seem A Freedom Or A Confusion.

Object In/ And Space - The First Impulse May Be To Give The Object - A Position - To Place The Object. (the Object Had A Position To Begin With.) Next - To Change The Position Of The Object. - Rauschenberg's Early Sculptures - A Board With Some Rocks On It. The Rocks Can Be Anywhere On The Board. - Cage's Japanese Rock Garden - The Rocks Can Be Anywhere (within The Garden).

To Do A Drawing For A Painting Most Often Means Doing Something Very Sketchy And Schematic And Then Later Making It Polished.