To Do A Drawing For A Painting

One's Range [of Ideas] Is Limited By One's Interests And Imagination And By One's Passion.

I’m Interested In Things Which Suggest The World Rather Than Express The Personality... The Most Conventional Thing, The Most Ordinary - It Seems To Me That Those Things Can Be Dealt With Without Having To Judge Them; They Seem To Me To Exist As Clear Facts, Not Involving Aesthetic Hierarchy.

Working Is Very Important To Me. Probably Because As A Child I Was Taught That Work Was Good. I Don’t Believe It Intellectually But I Identify With That Idea. So It’s Probably Just Like A Habit.

I Don't Want My Work To Be An Exposure Of My Feelings.

Object In/ And Space - The First Impulse May Be To Give The Object - A Position - To Place The Object. (the Object Had A Position To Begin With.) Next - To Change The Position Of The Object. - Rauschenberg's Early Sculptures - A Board With Some Rocks On It. The Rocks Can Be Anywhere On The Board. - Cage's Japanese Rock Garden - The Rocks Can Be Anywhere (within The Garden).