I'm An Occasional Drinker, The Kind Of

The Wise Screen Writer Is He Who Wears His Second-best Suit, Artistically Speaking, And Doesn't Take Things Too Much To Heart. He Should Have A Touch Of Cynicism, But Only A Touch. The Complete Cynic Is As Useless To Hollywood As He Is To Himself. He Should Do The Best He Can Without Straining At It. He Should Be Scrupulously Honest About His Work, But He Should Not Expect Scrupulous Honesty In Return. He Won't Get It. And When He Has Had Enough, He Should Say Goodbye With A Smile, Because For All He Knows He May Want To Go Back.

Love Interest Nearly Always Weakens A Mystery Because It Introduces A Type Of Suspense That Is Antagonistic To The Detective's Struggle To Solve The Problem. It Stacks The Cards, And In Nine Cases Out Of Ten, It Eliminates At Least Two Useful Suspects. The Only Effective Love Interest Is That Which Creates A Personal Hazard For The Detective - But Which, At The Same Time, You Instinctively Feel To Be A Mere Episode. A Really Good Detective Never Gets Married.

There Are No Vital And Significant Forms Of Art; There Is Only Art, And Precious Little Of That.

Would You Convey My Compliments To The Purist Who Reads Your Proofs And Tell Him Or Her That I Write In A Sort Of Broken-down Patois Which Is Something Like The Way A Swiss Waiter Talks, And That When I Split An Infinitive, God Damn It, I Split It So It Will Stay Split, And When I Interrupt The Velvety Smoothness Of My More Or Less Literate Syntax With A Few Sudden Words Of Bar-room Vernacular, That Is Done With The Eyes Wide Open And The Mind Relaxed But Attentive.

He Snorted And Hit Me In The Solar Plexus. I Bent Over And Took Hold Of The Room With Both Hands And Spun It. When I Had It Nicely Spinning I Gave It A Full Swing And Hit Myself On The Back Of The Head With The Floor.