I'm A Huge Luc Besson Fan. The

I Believe In The Healing Restorative Power Of Art And Communication. And So That's Probably My Rule. But That Doesn't Apply To Bedtimes. And Stuff Like That.

I Was Being Taken Around By A Press Agent At The Venice Film Festival At Age 18. Was It Fun? Sure. But It Was A Dangerous Path To Be Walking On As Far As Having A Substantive Life. Because The Casualty Rate At The Venice Film Festival For 18-year-olds? High.

The Script [of Regression] Wasn't The Draw For Me. It Was Largely Alejandro [amenabar] And His Way Of Talking. To Hear Him Talking About The Script Was Way More Interesting Than The Script. He Wrote It, And So, English Is His Second Language. It's An Interesting Thing. I've Had That Before. I Was Directed By Alfonso Cuarón Before, Too. It's Always Interesting When You're Being Directed By Somebody Like That. So Much Of Directing Is About Communication, And Finding The Right Words, And What It Means, And How To Convey Certain Emotions And Ideas.

A Lot Of American Actors When They Do Shakespeare Put On A Phoney English Accent And It Drives Me Crazy. You're Always Fighting Against The Idea That Only The British Know How To Do Shakespeare.

I Think That If You Walk Through This Life And I End Up Being A Bad Father, Then It Won't Matter Anything Else I Achieved In My Life. It Will All Be Irrelevant.