I'm A Drifter And An Outsider. There's

I Guess In Hollywood You Chart Your Life By Oscars. You Say To Each Other, "remember When That Movie Won That Year? It Was 2006. Remember That?"

Mostly It's Like, I Get Inspired By Something And I Want To Learn That Part Of Filmmaking, I Want To Delve Into That Kind Of Depth. And Leading, Also, A Lot Of People. A Lot Of People, For Two Years Of Their Life They Follow Me, And They Believe What I Believe In. So That's Some Responsibility And I'd Like To Make It Worth The Effort.

I Think People Are Universal.

Sometimes Films Ignore Other Points Of View Because It's Simpler To Tell The Story That Way, But The More Genuine And Sympathetic You Are To Different Points Of View And Situations, The More Real The Story Is.

A Lot Of People Will Think I Changed The Book: ‘so You’re The Tiger Instead, You’re The Tiger Who Ate The Cook.’ That’d Be Totally Expository, Like In The Book, ‘you’re The Tiger’ And Then It Stops There. That Seems To Have The Magic Touch. I Bring Everything Together. That’s Why He Made Up The Story, The Whole Thing Becomes Internalized. That Might Be The Magic, But All I Did Is Not So Much Interpreted, But Try My Best To Keep Everybody Still Staying In The Movie. And I Was Like, ‘god, It’s So Hard To Do.’ I Make Movies For A Long Time. It Doesn't Get Easier.