If It's An Amazing Role, I'll Do

They Say The Open Road Helps You Think. About Where You've Been And Where You're Going.

I Was A Bouncer For Ten Years In New York City.

I Used To Do Fight Sequences, And I Started To Get Self-conscious About Fight Sequences, Because Invariably The Other Person Would Get Hurt, And You Never Want Anyone To Be Hurt On A Film, Let Alone You Being Responsible. The Great Thing About Working With Guys Who Have Spent Their Life Choreographing Fights For Wrestling Is That That's What They Do. That's Their Specialty. Their Specialty Is Selling Taking Hits. Their Specialty Is Selling Explosive Hits Without Making A Contact Or Doing Too Much Damage.

I Believe In Paying Special Attention To Every Project That You Do And Supporting The Projects You Do.

Filmmaking Is Such A Collaborative Piece Of Art That You Can't Look To One Person - You Couldn't Look To Me, You Couldn't Say, 'because Vin's In It, It's This Or That...' It's Really All Of Us Coming Together For That Period Of Time To Try And Make Magic.