I Want More Than What I Want.

That's The Trouble With You Sad-city Types: A Place Has To Be Miserable And Dull As Ditchwater Before You Believe It's Real.

The Field Of The Novel Is Very Rich. If You're A Composer, You're Well Aware Of The History Of Composition, And You Are Trying To Make Your Music Part Of That History. You're Not Ahistorical. In The Same Way, I Think, If You Write Now, You Are Writing In The Historical Context Of What The Novel Has Been And What Possibilities It Has Revealed.

When...did It Become Irrational To Dislike Religion, Any Religion, Even To Dislike It Vehemently? When Did Reason Get Redescribed As Unreason? When Were The Fairy Stories Of The Superstitious Placed Above Criticism, Beyond Satire? A Religion Was Not A Race. It Was An Idea, And Ideas Stood (or Fell) Because They Were Strong Enough (or Too Weak) To Withstand Criticism, Not Because They Were Shielded From It. Strong Ideas Welcomed Dissent.

Fundamentalists Believe That We Don't Believe In Anything. In Their View Of The World, They Are In Possession Of Absolute Certainties, While We Are Descending Into Decadence. We Will Be Able To Triumph Over Terrorism Not By Waging War On It, But Through A Conscious, Fearless Way Of Life.

I've Always Thought That One Of The Things That The Internet And The Gaming World Permits As A Narrative Technique Is To Not Tell The Story From Beginning To End - To Tell Stories Sideways, To Give Alternative Possibilities That The Reader Can, In A Way, Choose Between.