I Think The Film [dream Of Life]

I Imagined Myself As Frida To Diego, Both Muse And Maker. I Dreamed Of Meeting An Artist To Love And Support And Work With Side By Side.

It's Steven's [sebring] View Of What He Saw In Traveling And Working With Me. But On Another Scale, I Think The Film [dream Of Life] Is Very Humanistic: It Touches On Motherhood, Death, Birth, Art, Laundry, Anger Against The Bush Administration... While I Don't Think It's The Kind Of Film Where One Goes To Find Some Of The Darker, Edgier Aspects Of Life, The Film Was Born Of Grief.

We Wanted, It Seemed, What We Already Had, A Lover And A Friend To Create With, Side By Side. To Be Loyal, Yet Be Free.

That's What Artists Do, That's What Poets Do - We All Do It. We Start With Something, And Sometimes We Destroy Everything That We've Made In Order To Get To The Core Place Where We Started From.

My Introduction To Photography And A Lot Of How I Developed Aesthetically Was Through '50s And Early-'60s Fashion Magazines Like Harper's Bazaar And Vogue.