I Think I've Had The Fantasy Of

You Have To Find The Tone Of The Piece And Modulate That. There Are Ways To Indicate That - I Try To Incorporate The Biggest Range I Can Within The Story, Going From Humorous To Serious Without It Being Jarring. That's The Hardest Part, To Keep That Balance. It Requires Being Constantly Aware Of Where You Are In The Story. You Can't Really Do That In A Movie: You Can't Slightly Modulate The Tone By The Way The Character's Eyeballs Look In One Certain Scene.

I'm More Interested In Characters Who Are A Little Difficult.

I Believe In The Transformative Power Of Cinema. It Is Only Through This Shared Dream-experience That We Can Transcend The Oppressive Minutiae Of Daily Existence And Find Some Spiritual Connection In The Deeper Reality Of Our Mutual Desire.

I Knew How To Draw All Of The Different Smokestacks On The Old Trains And All That Stuff, And Then I Realized That If I Can Draw Trains, Which Is The Thing I Was Probably The Least Interested In In The World At The Time, I Can Do Anything And Find A Way Into It That Will Be Interesting.

I Think I'm Gonna Attach Myself To The Sinking Ship That Is Book Publishing.