I Read A Lot Of Scripts And

You're Always Choosing The Start Point And The End Point. And Almost By Definition, The Most Interesting Period Is Where Something Happens, As A Result Of Which Something Is Different At The End. And So To Me, The Idea That You Know Everything About A Character At The Beginning Is Sort Of Ridiculous. Something Has To Be Revealed. I Like It When The Deeper You Go With The Character, The More You See The Layers Start To Peel Away. It's More Challenging To Me, But It's Also Just Interesting. Those Are The Things I Like To Watch. I Like To Watch The Evolutions Of Something.

I've Already Spent A Lot Of My Life Doing What Makes Me Go. There's A Life Out There While I'm Still Young, Able To Move, Able To Just Sit At Peace In The Water - I Should Be Spending Much More Time Doing That, Rather Than Continuing To Go Through This Artistic Struggle.

Duality Is Not A Story. Duality Is Just A Complexity.

I Hear About Actors Being Exterior Actors And Actors Being Instinctual Actors And I Always Think It's Crap. Anybody Who Knows Anything About It Knows That Good Actors Do Both - They Do Inside-outward And They Do Outside-inward. You Can't Not Do Both.

There's A Lot Of Romanticisation Of The Intuitive Actor And Method Acting And All Kinds Of Notions About Getting Inside A Character And Coming Out From There.