I Put Headlights In Ford Vans. I

If You Have The Material It Will Form Itself As A Kind Of Connective Tissue.

I Think Comedy Allows People To Accept The More Difficult Parts Of History. And History, If It's Presented Wrong, Is Just Very Depressing, Particularly The History Of Slavery. If Slavery Is Presented Properly, It's A Great Story. But I Think That Within The Commercial World Of Storytelling In Which I Live, There Haven't Been Many Strong Works That Discuss Slavery In Ways That Are Palatable And Funny And Interesting To The Reader.

You're Not A Black Man. You're A Human Being In God's Eyes. So When You Sit Down To Talk To Someone And You Talk To Them In Really Intelligent Terms, You Ask Difficult Questions, There's A Militancy That's Assigned To You Without You Asking For It, Because You Are Simply Judged By What You Look Like. If You're A White Person Asking The Same Questions, You'd Be One Of These Cnn Guys And Say How Brilliant He Is. That Doesn't Work For You, Because This Is The World We Live In.

Until You Expose The Cancer, You Can't Fix It.

As A Journalist, I Never Critiqued Anyone. I Never Review Books. I've Never Felt Qualified As A Musician To Say Whether Someone Is A Good Musician Or A Bad Musician. What Happens With Black Writers And Black Artists Is That If You're Critiqued, For Example, By A Black Historian Who Wants To Get His Name On The Cover Of "the New York Times," And He Says Something, Like, Wacky, Well, He'll Get His Name On The Cover Of "the New York Times" And He Might Get Tenure, And Your Career Suffers.