I Prefer To Write First Drafts As

The British And American Literary Worlds Operate In An Odd Kind Of Symbiosis: Our Critics Think Our Contemporary Novelists Are Not The Stuff Of Greatness Whereas Certain Contemporary Americans Indubitably Are. Their Critics Often Advance The Exact Opposite: British Fiction Is Cool, American Naff.

You Can Always Spot A 'television Personality', Even When They Aren't Actually On Television, Because They Carry Their 'made-up' Persona In Front Of Them, Like Some Sort Of Baffler, Or Ready Brek Force Field. Their Reach For Notoriety Predicated On That Fulsome Mediocrity Of Talent Detailed Above Has Become Frozen In Their Faces.

The Novelist, Quite Rightly, Fears The Psychoanalyst As Both An Enemy And A Usurper.

I Don't Think In Terms Of That Bizarre Tautology 'value For Money' In My Literary And Journalistic Work - And Nor Will I In My Academic Role. However, If I Don't Believe I'm Helping My Students Towards A Fuller And More Empowering Relationship With The World, Then I'll Resign.

If You Believe Something, You Can Have A Morality That Means Something As Well. You Can Feel Recognized As An Individual Within The Universe; It Can Give Meaning To Who You Are.