I Never Use Soundtrack; It Is Always

It's A Disease Of Critics That Once They've Labeled Someone, It's Very Hard To Change Their Perspective. It's Laziness.

My Films Are Intended As Polemical Statements Against The American 'barrel Down' Cinema And Its Dis-empowerment Of The Spectator. They Are An Appeal For A Cinema Of Insistent Questions Instead Of False (because Too Quick) Answers, For Clarifying Distance In Place Of Violating Closeness, For Provocation And Dialogue Instead Of Consumption And Consensus.

Writers And Filmakers, That Is, People Who Describe The World, Suffer From An Occupational Disease. They Never Experience Moments In Life Quite Spontaneously. You Always Look At Yourself From The Outside. Even As A Child I Always Observed Myself And The World. I Believe That Everyone Who Chooses This Path In Any Way, Who Chooses To Be A Describer Of Life, Suffers From This Condition. It's Like A Mental Obsession. It Can Be A Great Pity Too. It Robs You Of A Certain Joy In Spontaneity.

When Ideas Lead To Ideology, That's A Very Dangerous Thing. Ideology Then Leads To Creating The Image Of An Enemy, And It Leads To The Murder And Massacre.

Of Course I Am A Child Of European Culture. There Are A Number Of Great Directors From Which I Learned, But There Is Nobody In Particular I Got Inspired From.