I Never Studied Jazz Technically; I Just

So Sometimes If I'm Working With A Rapper, Like Ghostface Killah Or Nas, Producing Usually Means, In Hip-hop, That You Make The Music. You Make The Beat, And You Give It To Them. And They Write The Rhymes.

And I Remember That About Three Years Before That, Her First Record Had Come Out. And I Just Remember Really Liking This One Song Off It Called "in My Bed" And Being A Little Bit Enamored. This, You Know, This Young Kind Of Jewish Girl From North London, You Know, I Have The Same Thing - From A Jewish Family From North London - With This Incredible Voice.

I Guess The Best Thing About Having A Successful Record Like This Is, Like, I Know I'm At Least Good For Another Five Years, Like, Before Everyone Starts To Like - All The Haters Start To Come Out Again. And That's Really What It Is.

You Just Pick Up A Little Bit Of Whatever The Ones You Think Are Appropriate, And You Try And, You Know, Combine Them. And Then You Bring In Other People That Are Great For The Things That You're Not So Good At.

I Really Love Something About Being Around The Recording Studios - You Know, Like, Those Days In The '80s They'd Be, Like, In The Studio 'til 4, 5, 6 In The Morning Working On These Songs.