I Never Really Learned Photography.

I Think I'm No Different To My Friends Who Are Doctors Or Businessmen Or Architects - We All Started Watching Films Of The Golden Age Together. But Whether I'm Making Films Or Writing Poetry Or Doing Photography, It's Very Much Rooted In My Sense Of Unease. And That's Really Where Everything Goes Back To.

I Remember When I Came Out Of An Exam Thinking I Had Done Well And Then I Had A Clue That Maybe One Answer Was Wrong, I Remembered That I Rather Stop Knowing, Stop Thinking About It, Appreciating Life Instead. So First, It Was Just A Memory. But Then I Realized That In Life, It's A Much More General Sentiment - That Instead Of Waiting For Other People's Judgment, I'd Rather Focus On My Own Feelings, That Everything Is Fine. To Go On With My Life Rather Than Anticipating Other People's Judgements That Might Be Negative.

I Thought That Choosing A Non-professional Was A Condition For Me, Because It Would Allow Juliette To Have A Less-professional Way Of Acting. It Would Challenge Her Performance As A Professional Actress.

I Saw This French Woman, This English Man In Italy. It Was A Film [certified Copy] I Knew Well, But I Had Already Seen It, And I Was Familiar With It, And I Had No Feeling Of Anxiety Or Responsibility Toward It.

It's Not So Much A Question Of Whether We've Shot It Through 35mm Or Digital Video; What Is Important Is Whether The Audience Accepts It As Real.