Cities Are Made For Enemies To Destroy.

Then Little Writings And Recordings That Thankfully Continue To Come Up. I'm In This Kind Of Wonderful, Kind Of Awkward, Off-putting, And Strange Position Where There's Nothing I Want To Do More Than Continue To Make Music, But The Ways That I Do Things Are Not In Tune With How I Can Do Them Commercially.

I Think That What Trips Up A Lot Of Great Musicians Is That They Become Involved With Too Many Things That Aren't Where Their Strengths Lie.

I Felt So Liberated When I First Saw Charles Mee’s 'the Glory Of The World' At Bam Play, Because For Me This Is The Gateway To Contemplation, Or This Is The Gateway To Love, Or This Is The Gateway To Faith, Not Sitting And Reading A Book By An Isolated Monk, God Bless Him. This Is.

As A Kid You Learn That There Are Thinkers And There Are Philosophers And There Are Theologian, And I'd Hear Little Bits Of The Ideas That These People Pursued Or Developed Or Created And I'd Be Really Excited. Then I'll Start To Read It And I Think, "wait A Minute, This Is A Rabbit Hole. This Isn't A Gateway Or A Ticket To Anything Except Itself."

A Vocal Performance “coming Together” Is Hard, But It's The Kind Of Hard That If You Work Hard Enough At It, You Can Do It And It Feels Great, Because It Was So Hard. So We'll Continue Maybe Even Over The Next Couple Of Years To Perform That And To Expand Our Collaborative Repertoire.