I Love British Humor. It's Just So

Every Band I Knew Or Played With Had Flyers And Properly-recorded Demos And Contacts; I Couldn't Even Get A Gig.

Most Of My Early Records Were Not Cohesive At All, Just Collections Of Demos Recorded In Different Years. 'odelay' Was The First Time I Actually Got To Go In The Studio And Record A Piece Of Music In A Continuous Linear Fashion, Although That Was Written Over A Year.

There's Some Quality You Get When You're Not Totally Comfortable. When You're Not Doing What You're Used To, You Could Completely Fall On Your Face. You Could Completely Blow It.

I'm Always Looking For Older Equipment And Ways Of Recording, But You Can't Escape The Fact That It's All Going To Be Digitized And Reduced. I Do Think Music Sounds Better When It's On Tape And More Simply Recorded. I've Been Arguing With People For 10 Years About Tape Versus Digital, And I Believe Tape Is Absolutely Essential In Getting The Sound That's Conducive To The Enjoyment Of Music. I Wonder If It's Going To Go Back To That. Sometimes I Think It Has To. As Music Becomes More Computer-based, It's Lost Some Emotional Impact.

Somebody Else Is Satisfied By Five Bentleys. I'm Satisfied By A Beautiful String Arrangement.