I Like The Idea Of R-rated Franchises.

Directing Ain't About Drawing A Neat Little Picture And Showing It To The Cameraman. I Didn't Want To Go To Film School. I Didn't Know What The Point Was. The Fact Is, You Don't Know What Directing Is Until The Sun Is Setting And You've Got To Get Five Shots And You're Only Going To Get Two.

It's A Very American Thing To Hide Away From Death.

I Want Stuff To Play As Wide As Possible. I Want To Be Able To See... If I Could Play The Whole Thing In A Master And It Could Be Compelling Enough, That'd Be Great. Then It Simplifies My Day, It Simplifies Life For The Actors When You Could Just Focus On That. But By The Same Token I Don't Want To Be Forced Into Coverage. So I Want It To Be As Good From Every Angle And I Need To Get As Many Of The Kind Of Shadings That I Want From Every Angle.

When I'm Watching Somebody Act, It's A Behavior Editorial Function - I Look At Someone Act, And I Might Say, 'i Don't Believe Him When He Says That.' I Don't Know Why I Don't Believe Him, Probably Because The People That I've Met, They Don't Act Like That When They Say Stuff Like That And Mean It.

Everything Seems Really Simple On Paper Until You Take A Camera Out Of The Box.