I Know For Sure That There Is

I Am Somebody Who Creates Images, With My Perspectives, Fascinations And My Instincts As A Narrator. You Have To Activate The Audience's Imagination. If You Are Just Giving Them Scientific Results, They Would Forget The Film In Five Minutes Flat.

I Don't See [the Jungle] So Much Erotic. I See It More Full Of Obscenity. It's Just - Nature Here Is Vile And Base. I Wouldn't See Anything Erotical Here. I Would See Fornication And Asphyxiation And Choking And Fighting For Survival And Growing And Just Rotting Away. Of Course, There's A Lot Of Misery. But It Is The Same Misery That Is All Around Us. The Trees Here Are In Misery, And The Birds Are In Misery. I Don't Think They Sing. They Just Screech In Pain.

In The Chauvet Cave, There Is A Painting Of A Bison Embracing The Lower Part Of A Naked Female Body. Why Does Pablo Picasso, Who Had No Knowledge Of The Chauvet Cave, Use Exactly The Same Motif In His Series Of Drawings Of The Minotaur And The Woman? Very, Very Strange.

Gaining Trust Is Not Difficult For Me. I Needed To Gain The Trust Of The North Korean Supervisors.

I Couldn't Roam Wildly And Speak Secretly With Villagers [in North Korea]. No Way You Could Do That. And Honestly, I Didn't Even Try. I Was Realistic Of What I Could Do And Yet Persuaded Them Into Accepting Numerous Things That I Shouldn't Have Filmed.