I Grew Up With An Older Brother,

My Agent In London Told Me, After Never Let Me Go, Because I Loved Doing That So Much, "if You're On A Lucky Streak And You're Doing Well, You Should Only Take A Part, If You Can't Bear The Idea Of Anyone Else Doing It." That's Been The Case Since Then, With Drive And Shame And The Play (the Seagull), And The Stuff That's Going On, Like Gatsby. I Would Have Been Devastated, If I Hadn't Gotten Those Jobs.

When You Do Bigger Jobs There's More Attention And When You Film In New York You Get Loads Of Paparazzi Everywhere. It Affects Your Work Because You're Trying To Think About The Person You're Acting With And You've Got 20 Other Lenses Taking Pictures Of You At The Same Time, And It Throws You.

I've Always Said I Prefer Theater, But There's Only Ever Been One Play That I Really Loved Doing, And That Was The Seagull.

I'd Like To Do A Play, But I Can't Find The Right Thing. I Don't Want It To Be A Starring Role. I Just Want To Play A Really Interesting Character.

One Of The Things I Love About The Theater Is That No One Can Tell You To Stop. Once You're Onstage, It's Three Hours, And Whether You're Completely Off Or You're Just Horrendous, You've Got To Find A Way To Leave An Impression. There's Not That Terrible Thing That You Get When You're Making A Movie, Where You Get In Your Car At The End Of The Day Knowing That Something You're Not Proud Of Was Immortalized On Film, And You Can't Fix It Because They Won't Reshoot It.