I Grew Up In A Family Where,

Don't Forget This, Too: Rumors Aren't Interested In The Unsensational Story; Rumors Don't Care What's True.

The Book Works Better If I Know Everything I Can About The Ending. Not Just What Happens, But How It Happens And What The Language Is; Not Just The Last Sentence, But Enough Of The Sentences Surrounding That Last Sentence To Know What The Tone Of Voice Is. I Imagined It As Something Almost Musical. Then You Are Writing Toward Something; You Know The Sound Of Your Voice At The End Of The Story. That's How You Want To Sound In Those Final Sentences: The Degree That It Is Uplifting Or Not, The Degree That It Is Melancholic Or Not.

The Concept Of Writing A Novel And Not Knowing Where It's Going - I Don't Know How To Do That. Novels Are Plot- And Character-driven, So If I Don't Know What Becomes Of People, How Can I Know Where It Should Begin?

I Have Always Believed That, In A Story, If Something Traumatic Or Calamitous Enough Happens To A Kid At A Formative Age, That Will Make Him Or Her The Adult They Become.

Nothing Moves At The Hotel New Hampshire! We're Screwed Down Here-for Life!