I Find Industrial Cities Exciting. I Like

They All Come Out From The Same Thing; All The Projects Are Connected Somehow.

The Spirit Of Adventure To Embrace The New And The Incredible Belief In The Power Of Invention Attracted Me To The Russian Avant-garde.

There Is A Strong Reciprocal Relationship Whereby Our More Ambitious Design Visions Encourage The Continuing Development Of The New Digital Technologies And Fabrication Techniques, And Those New Developments In Turn Inspire Us To Push The Design Envelope Ever Further.

My Work First Engaged With The Early Russian Avant-garde; The Paintings Of Moholy-nagy, El Lissitzky's 'prouns' And Naum Gabo's Sculptures, But In Particular With The Work Of Kasimir Malevitch - He Was An Early Influence For Me As A Representative Of The Modern Avant-garde Intersection Between Art And Design.

There Are Some Very Similar Moments In The Early Work Where The Focus Was On Drawing, Abstraction And Fragmentation. Then It Moved To The Development Of Ideas. Lately It Has Become What Architecture Should Be, Which Is More Fluid Organization. There Has Not Been So Much 'a Change' But 'a Development'.