I Don't Think There Will Be Another

I Always See Things That I Can Improve. But Frankly With Stripes, I'm Surprised At How Effective It Is, Even Today, And How Vibrant That Movie Is And How Juicy The Performances All Are.

Movies Either Work Or They Don't Work And They're Either Funny Or They're Not And We Work Very Hard. To Achieve That Kind Of Work Is Really Kind Of Delicate Stitching.

We Watch Movies About All Sorts Of Things That We Don't Know Anything About, But We Do Get Caught Up In The Human Drama.

When You're Working With Movie Stars, Part Of The Deal Is That, If They Have Something To Say, You'd Better Listen. You Don't Have To Absolutely Listen And Not Talk, But There Is Another Creative Force At Work, And To Be Successful Working With Movie Stars, You Have To Bring That Force To Work For You. You Have To Find Something That's Comfortable For Them, And At The Same Time, That's In The Parameters Of What You're Trying To Do Yourself.

My First Student Film Was Orientation, Which Was Basically The Set-up For Animal House. There Are A Couple Of Scenes That We Later Borrowed In Some Form.