I Don't Think I'm Capable Of Making

I Don't Know What I'm Doing And It's The Not Knowing That Makes It Interesting.

I'd Say It's Just Part Of The World That We Live In; It's Part Of The Music World.

The Generation Of Composers That Are Just Preceded Me, People Like [karlheinz] Stockhausen, [pierre] Boulez, And, Well, [john] Cage For That Matter,[morton] Feldman ... That Was A Kind Of Experimental Music That Was Very Isolated. It Had No Real Public.

The Problem With Listening, Of Course, Is That We Don't. There's Too Much Noise Going On In Our Heads, So We Never Hear Anything. The Inner Conversation Simply Never Stops. It Can Be Our Voice Or Whatever Voices We Want To Supply, But It's A Constant Racket. In The Same Way We Don't See, And In The Same Way We Don't Feel, We Don't Touch, We Don't Taste.

I Think It's A Great Handicap To Be Discovered At An Early Age. I Didn't Have That Burden Of Early Success. I Had The Much More Livable And Durable Career Where Success Comes Late, And Comes Slowly, And You Ease Into It. So By The Time It Comes, You're Ready To Deal With It.