I Did What We Call Dry For

Big Cities Are Chaotic. And Chaos For Humans - Who Have Experience From Their Ancestors - Is The Last Step Before Conflict. So, In The Park, Every Kind Of Visual Contradiction Has Been Eliminated.

I Thought That It Would Be Easier To Learn That If I Worked In Motion Pictures. So I Went To Work With One Motion Picture Producer Who Was Developing A Color System. This Didn't Do To Me Much Good. All I Did Was Pick Filters For The Camera.

Color Is A Very Critical Thing. I've Found That Architects Don't Like Colors. Engineers Too. And So Somebody Has To Stand In. Because This Is The Finish Of It. It Is The Emotional Part Of A Structure.

The Colors I Choose There Was To Paint The First Hotel, The Disneyland Hotel. Because Of The Cloudy Sky We Had In Paris, It Had To Be A Particular Kind Of Color Who Will Fight Those Grey Days. And Also Something You Can See When You're Driving Up 'there It Is! We're Arriving!'

For Instance, Some Early Ideas For Florida Were Done Only Recently. The Idea Of A Little Village Was There From The Beginning And Now We Have This "celebration" Village. Same Thing For The Disney Institute. Walt Talked About This Idea In The Very First.