I Did What We Call Dry For

Even In China. Children There, Next To The Great Wall, Who Had Never Seen Mickey Mouse Responded. So The Studio Did Have That Skill To Communicate With Images.

The Colors I Choose There Was To Paint The First Hotel, The Disneyland Hotel. Because Of The Cloudy Sky We Had In Paris, It Had To Be A Particular Kind Of Color Who Will Fight Those Grey Days. And Also Something You Can See When You're Driving Up 'there It Is! We're Arriving!'

I Did What We Call Dry For Wet Effects, Some Of The Miniatures Work And Two Animation Sequences.

There Were No Jewelry Hidden. Walt Wanted This Atmosphere: They Were Supposed To Live Here, They've Been Outside Somewhere, But They Could Come Back At Any Minute And Catch Us.

The Show Is Being Changed Right Now, By The Way. Jeff Burke Is Doing It For The Magic Kingdom. And I Think It Will Be Better, With New Birds, Master Of Ceremonies, Etc.