I Defy Anybody To Not Look Cool

In The Most Basic Terms It Was About How When We Experience Art Without Critical Awareness We Consent To The Ideas Being Promoted, Either Intentionally Or Unintentionally, By The Filmmaker. For Instance, If You Watch A Racist Comedian And Laugh At His Jokes, You Are Consenting To The Prejudices Inherent Within Them. Similarly, If You Watch A Movie Which Perpetuates Conventional Ideas About Race, Gender, Etc., You Are Consenting To Them And Not Affecting Change In Any Way.

Ultimately, We Are All Products Of The Experiences We Have And The Decisions We Make As Children, And It Remains A Peculiar Detail Of Human Condition That Something As Precious As The Future Is Entrusted To Us When We Possess So Little Foresight. Perhaps That's What Makes Hindsight So Intriguing. When You're Young The Future Is A Blank Canvas, But Looking Back You Are Always Able To See The Big Picture.

It's A Fun World To Exist In, And I Relish Doing Those Movies As Much As I Do The Smaller Ones. They're Always Immense Fun. I Don't Know If I Am - Unless We Do A Benji Film, I Don't Think I Am An Action Hero Really.

A Movie Is A Creative Process From Its Conception, Through Its Writing, To Its Execution, To The Editing. I Think With The Best Films There Is Some Kind Of Contribution From One Person All The Way Through That. The Best Films Are Made By People Who Write, Direct, And Edit, So There's Continuity.

Every Person Should Have Their Escape Route Planned. I Think Everyone Has An Apocalypse Fantasy, What Would I Do In The Event Of The End Of The World, And We Just Basically - Me And Nick - Said What Would We Do, Where Would We Head?