I Couldn't Unpeach The Peaches.

When I Was Quite Young I Fondly Imagined That All Foreign Languages Were Codes For English. I Thought That "hat," Say, Was The Real And Actual Name Of The Thing, But That People In Other Countries, Who Obstinately Persisted In Speaking The Code Of Their Forefathers, Might Use The Word "ibu," Say, To Designate Not Merely The Concept Hat, But The English Word "hat." I Knew Only One Foreign Word, "oui," And Since It Had Three Letters As Did The Word For Which It Was A Code, It Seemed, Touchingly Enough, To Confirm My Theory.

How Can People Think That Artists Seek A Name? A Name, Like A Face, Is Something You Have When You're Not Alone. There Is No Such Thing As An Artist: There Is Only The World, Lit Or Unlit As The Light Allows.

It Makes More Sense To Write One Big Book - A Novel Or Nonfiction Narrative - Than To Write Many Stories Or Essays. Into A Long, Ambitious Project You Can Fit Or Pour All You Possess And Learn.

How You Spend Your Days Is How You Spend Your Life.

Write As If You Were Dying. At The Same Time, Assume You Write For An Audience Consisting Solely Of Terminal Patients. That Is, After All, The Case. What Would You Begin Writing If You Knew You Would Die Soon? What Could You Say To A Dying Person That Would Not Enrage By Its Triviality?