I Consider All My Films An Experiment,

It Could Be Fascist, Religious Or Political - It's Always The Same Model That Operates In These Circumstances, And It's That Which Is The Actuality Of This Film. Therefore, It's Not Specifically An Explanation Of German Fascism Because That Would Be An Impossible Thing To Do In Any Case.

Like Every Filmmaker, I Make My Films To Reach The Widest Audience Possible.

In Terms Of Cinema And Filmmaking, There Are Certainly The Unexpected Gifts That The Actors Bestow On You. Film Is Always A Question Of Compromises With Respect To What You Originally Intended.

Usually, When Making A Film, The Surprises Are Negative Surprises. You Don't Get What You Wanted Or What You Hoped For. The Only Nice Surprises Are Those That Are Offered To You By Actors When They Offer You These Gifts, When They Are Better And Give You More Than What You Had Originally Conceived. That Doesn't Happen Every Day On Set, But If It Happens A Couple Of Times In The Course Of Making A Film, You Can Consider Yourself Very Lucky.

Film Is The Manipulative Medium Par Excellence. When You Think Back On The History Of Film And The 20th Century, You See The Propaganda That's Been Made. So There Are Moral Demands On The Director To Treat The Spectators As Seriously As He Or She Takes Himself And Not To See Them Merely As Victims That Can Be Manipulated To Whatever Ends They Have.