I Consider All My Films An Experiment,

Of Course There Are Many Films About The Period Of Fascism Itself But I Don't Know Of Any About That Period Beforehand. But It Wasn't That Specific Fact That They Weren't There That Got Me To Think About This In The First Place. It's Not What Led To The Basic Idea For The Film, Although It Became Apparent When I Began To Think About It.

My Films Are Intended As Polemical Statements Against The American 'barrel Down' Cinema And Its Dis-empowerment Of The Spectator. They Are An Appeal For A Cinema Of Insistent Questions Instead Of False (because Too Quick) Answers, For Clarifying Distance In Place Of Violating Closeness, For Provocation And Dialogue Instead Of Consumption And Consensus.

That Is One Of The Characteristics Of Fascism, The Idea That The State Can Provide All Of The Answers For Everyone.

Because In The Feudal System Of That Period At Least 80% Of People Lived In Villages, So It's Very Simple To Get A Cross-section Of Society In A Single Village. You Get The Microcosm Of The Social Macrocosm.

Mainstream Cinema Raises Questions Only To Immediately Provide An Answer To Them, So They Can Send The Spectator Home Reassured. If We Actually Had Those Answers, Then Society Would Appear Very Different From What It Is.