I Can't Edit The Materials I Work

I'm Not A Performer, In That I Don't Like The Public, But I Work In That Respect.

The Photography Is Not The Aim Of The Work; The Articulation Of The Work Through Photography Is Another Way Of Understanding What's Going On And What's Happening Outside.

I Soon Realised That What Had Happened On A Small Scale Cannot Necessarily Be Repeated On A Larger Scale. The Stones Were So Big That The Amount Of Heat Required Was Prohibitively Expensive And Wasteful.

If You've Ever Come Across A Tree That You've Lived With For Many Years And Then One Day It's Blown Over, There's Incredible Shock And Violence About That.

In Contact With Materials, I Can See So Much More With My Hands Than I Can Just With My Eyes. I'm A Participant, Not A Spectator. I See Myself Both As An Object And A Material, And The Human Presence Is Really Important To The Landscapes In Which I Work.